Science Fiction
Adventure
Believe in the Hail Mary.
Project Hail Mary (2026)
Runtime
157 min
Release date
15/03/2026
Country
United States of America
Production
Lord Miller
Amazon MGM Studios
Pascal Pictures
Open Invite Entertainment
Waypoint Entertainment
Overview
Science teacher Ryland Grace wakes up on a spaceship light years from home with no recollection of who he is or how he got there. As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out. He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction.
Directors & Screenwriters
Phil Lord
Director
Christopher Miller
Director
Drew Goddard
Screenwriter
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Cast
Ryan Gosling
as
Ryland Grace
Sandra Hüller
as
Eva Stratt
James Ortiz
as
Rocky (voice)
Lionel Boyce
as
Carl
Milana Vayntrub
as
Olesya Ilyukhina
Ken Leung
as
Yao
Priya Kansara
as
Mary (voice)
Mia Soteriou
as
Dr. Browne
Annelle Olaleye
as
Olivia
Maya Eva Hosein
as
Rekha
Bastian Antonio Fuentes
as
Parker
Alice Brittain
as
Hardware Store Cashier
Michael Akinsulire
as
Air Force Officer
Travis Jay
as
Tilt-A-Whirl
Geoffrey Lumb
as
Aircraft Carrier Officer
Paul Lambert
as
Dr. Scyther
Orion Lee
as
Dr. Li
Aaron Neil
as
Narender
Michelle Greenidge
as
Chimamanda
Bernhard Schütz
as
Voigt
Amira Ghazalla
as
Dr. Lokken
Malachi Kirby
as
DuBois
Liz Kingsman
as
Shapiro
Piotr Baumann
as
Piotr
Eunice Huthart
as
Rejected Rocky Voice (voice)
Damien de Froberville
as
Rejected Rocky Voice (voice)
Ray Porter
as
Rejected Rocky Voice (voice)
Meryl Streep
as
Rejected Rocky Voice (voice)
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All trailers
Science Fiction
Adventure
Project Hail Mary
Time Go
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We Got Range
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Only in Cinemas
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A new Guinness World Records title has been achieved for the Highest Altitude IMAX Film trailer!
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A Friendship Like This
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In Cinemas Now and IMAX
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In Cinemas Now
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Believe at Every Scale
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In Cinemas and IMAX Now
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The mission begins now.
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In Cinemas and IMAX 19 March
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Must See Review
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Astronaut isn’t exactly a fake-it-’til-you-make-it job. But yet here we are.
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Explore the expanse of space in IMAX.
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In Cinemas March 18
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In Cinemas March 18
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In Cinemas March 18
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Is that me?
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In Cinemas March 18
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In Cinemas March 18
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In Cinemas March 18
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In Cinemas March 18
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In Cinemas March 18
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We all have that one friend.
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Grace 🤜🤛 Rocky
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Winter Olympics Sneak Peek
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Don’t miss Ryan Gosling as Ryland Grace in Project Hail Mary.
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Prime Member Early Screening
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Tickets for Project Hail Mary are now on sale!
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One month until we meet our new favourite astronaut
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Big Game Spot
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Final Trailer
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Big Game — Trailer Tease
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Rocky is an artist
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Ryan Gosling is Ryland Grace in Project Hail Mary
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Just a science teacher saving the world
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Watch the new trailer for Project Hail Mary starring Ryan Gosling, only in cinemas coming soon.
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New International Trailer
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Official Trailer 2
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Official Trailer
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Duration: 02:59
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Did You Know?
The Beatles’ ‘Two of Us’ drops into Project Hail Mary, echoing a cosmic friendship
When Ryland Grace decides to abandon Earth and chase after his alien ally Rocky, the film cues The Beatles’ “Two of Us.” The timing is deliberate: director duo Phil Lord and Christopher Miller said the song’s celebration of John Lennon and Paul McCartney’s long‑standing bond mirrors Grace’s newfound home with Rocky, even as he leaves his own planet behind.
The choice wasn’t random. Producer Aditya Sood championed the track, noting that Andy Weir’s novel already pays homage to the Fab Four. In the Blu‑ray commentary, Miller explains that the duet’s lyric “We’re on our way home” feels like a perfect metaphor for Grace’s journey back to the friendship he’s built in space.
While fans often read “Two of Us” as a nod to Lennon‑McCartney’s partnership, Paul McCartney has revealed it was actually inspired by a countryside walk with his future wife Linda. The song, the opening number on the Let It Be album, carries layers of personal meaning—both a tribute to a musical duo and a love song—making it a versatile needle drop that resonates on multiple levels in the movie.
That duality is why the track works so well in Project Hail Mary. It underscores the film’s central theme: the bonds we forge, whether across continents or across galaxies, can become the true home we’re searching for.
Inside the making of the surprise sci‑fi blockbuster that thrilled 2026 audiences
Few 2026 releases have dazzled like Amazon MGM’s "Project Hail Mary," a sci‑fi spectacle that married cutting‑edge visual effects with practical puppetry and a career‑defining turn from Ryan Gosling. The film’s unexpected blend of high‑concept storytelling and tactile craft gave audiences a fresh taste of blockbuster wonder, proving that big‑budget adventures can still feel inventive and intimate.
Now the film’s architects, directing duo Phil Lord and Chris Miller, will unpack that alchemy at IndieWire’s Future of Filmmaking Summit on Oct. 17. In a keynote presentation, the longtime collaborators will break down how they tackled what they call the “most difficult movie” of their careers, sharing concrete lessons on balancing humor, heart, and technical ambition.
Lord and Miller’s résumé reads like a modern Hollywood cheat sheet: from the cult‑hit animated series "Clone High" to animated blockbusters "Cloudy with a Chance of Meatballs," "The Lego Movie," and the "Spider‑Verse" franchise, plus live‑action hits like "21 Jump Street," its sequel, and TV hits "The Last Man on Earth" and "The Afterparty." Their summit talk promises to reveal how that eclectic background informed the daring choices that made "Project Hail Mary" a rare success story in a crowded market.
The Blu‑ray unlocks five lost moments that deepen the hilarity and heart of Project Hail Mary
If you’ve only seen the theatrical cut of Project Hail Mary, the new Blu‑ray and 4K release is a treasure trove. Five deleted scenes—just under ten minutes total—give fans a deeper dive into Ryland Grace’s (Ryan Gosling) misadventures, from clumsy space‑walk prep to the absurdities of waking up on a doomed starship.
One of the funniest cuts expands the spacesuit sequence: Grace fumbles through a Russian‑language manual before a lo‑fi, DIY‑style video tutorial walks him through the suit‑up, complete with his signature hip‑wiggling. While it doesn’t shift the story’s emotional stakes, it showcases Gosling’s effortless physical comedy. Another deleted montage stretches Grace’s early isolation, pairing a half‑hour of his breakdowns with Nat King Cole’s "Let’s Face the Music and Dance" and a Kris Kristofferson‑timed segment. We see him playing whiteboard darts, staring at calming jellyfish footage, and even slow‑dancing with the ship’s robotic arm, Armando—moments that add a tiny but poignant arc to his loneliness.
The opening “Day 1 Food Paste” scene also makes the cut, preserving the cringe‑worthy catheter gag from Andy Weir’s novel. Grace’s horrified realization that a tube is still attached as he climbs a ladder adds a layer of bodily humor that the theatrical edit trimmed away. All of this comes from an original assembly cut that ran a staggering 3 hours 45 minutes, later whittled down to the 2 hours 36 minutes we know. The vault of footage is massive, and these five scenes are a generous glimpse into what was left on the cutting room floor.
For anyone who’s ever wished they could spend a little more time with Grace and his alien companion Rocky, the physical release delivers exactly that—extra laughs, extra pathos, and a reminder of just how much was sacrificed to keep the film’s pace tight.
Ryan Gosling’s amnesiac astronaut battles a sun‑killing mystery with real equations in Project Hail Mary
Project Hail Mary bursts onto the screen with a classic hard‑sci‑fi hook: a lone science teacher, Ryland Grace (Ryan Gosling), awakens aboard a spacecraft with no memory of how he got there. As his fragmented recollections snap back into place, he discovers a desperate mission—to stop a mysterious cosmic substance from extinguishing the Sun.
What sets the film apart from typical space adventures is its devotion to real science. Every problem the crew faces is tackled with on‑screen calculations, equations, and physics that are described as scientifically sound and meticulously researched. The movie leans heavily on mathematics, turning each crisis into a puzzle that feels more like a classroom experiment than a Hollywood spectacle.
That commitment to authenticity has paid off with both critics and genre fans. While the relentless focus on equations could alienate casual viewers, the consensus is that the blend of humor, high‑stakes survival, and genuine scientific rigor makes Project Hail Mary a standout entry in the hard‑sci‑fi canon.
Ryan Gosling’s cosmic odyssey turns hard‑science thrills into a dazzling, heartfelt IMAX spectacle
The long‑awaited adaptation of Andy Weir’s *Project Hail Mary* has already earned a perfect 95% on both Rotten Tomatoes and Popcornmeter, and it’s clear why. By stripping away the novel’s heavier exposition while preserving the rigor of Weir’s hard‑science world, the film lets Ryan Gosling’s Ryland Grace shine with an emotional transparency that the page‑bound scientist never quite achieved. Meanwhile, the alien sidekick Rocky—once an inventive idea—has been given a fully realized physical presence that adds a new layer of kinetic humor and pathos.
At its core, the movie remains a love‑letter to the limits of known science. It leans on orbital mechanics, gravity, and the speed of light as unbreakable pillars, yet it also introduces the fantastical Astrophage and the Eridians, whose biology is twisted just enough to feel plausible. As Weir told *Astronomy*, “As a writer, I want to find the absolute minimum way that I can break the rules and then just do that,” a philosophy that translates on screen as a quantum‑level cheat‑code that fuels the star‑hopping mission.
Visually, the film is an IMAX showcase. Cinematographer Greg Fraser deliberately avoided the darkness of Ridley Scott’s *Alien*, insisting “we could never allow this film to be that level of darkness and scariness.” The result is an “Avatar‑esque kaleidoscope” of interstellar iridescence—vivid Astrophage fields, shifting color spectra, and a luminous backdrop that turns the void into a living canvas. Those visual choices echo the story’s many dualities: human‑alien, cowardice‑heroism, theory‑application, and, most poignantly, the bond between Grace and Rocky, which the film deepens into a sweeter, more resonant friendship than the book could convey.
Beyond the spectacle, *Project Hail Mary* radiates a hopeful message: that sentient life, no matter how alien, can find common ground and unite against extinction. By marrying meticulous scientific detail with soaring cinematography and heartfelt character work, the adaptation not only honors its source but expands it, offering audiences a rare blend of intellectual rigor and cinematic wonder.
Greig Fraser reveals why ‘Project Hail Mary’ was the toughest shoot of his career
Cinematographer Greig Fraser says every day on Phil Lord and Christopher Miller’s space adventure felt like a physics lesson gone wild. From filming a faceless alien puppet in a weightless rotating set to navigating tiny, eight‑to‑10‑foot ship interiors, the crew had to reinvent how to capture motion when there’s literally no gravity.
The production leaned heavily on practical effects, building miniature sets and animatronic puppets rather than relying on endless CGI. Director Cameron Wood praised the puppeteers for making Rocky feel "real enough to exist," while Fraser emphasized that the visual choices were rooted in scientific honesty, mirroring Andy Weir’s meticulously researched novel.
To keep the illusion authentic, the team consulted NASA astronauts, even learning how an astronaut’s tears don’t fall in space—a detail that informed the film’s visual language. Fraser notes that VFX was used sparingly, only when it served a specific narrative purpose, ensuring the audience always felt inside the cramped ship with Ryland Grace.
Box‑office numbers confirm the gamble paid off, with the Amazon‑MGM crowd‑pleaser pulling in $684.5 million worldwide. While Fraser admits he’s heard nothing yet about a sequel, the film’s blend of hands‑on craftsmanship and scientific fidelity has set a new benchmark for sci‑fi storytelling.
James Ortiz imagines Rocky’s return home could reshape an alien world.
The sci‑fi blockbuster Project Hail Mary has turned into a $684 million global hit, far outpacing its $200 million budget and earning a fresh 95% on Rotten Tomatoes. Audiences fell in love with Ryan Gosling’s reluctant astronaut Ryland Grace and James Ortiz’s vocal performance and puppetry for the rock‑like alien Rocky, sparking early chatter about a possible sequel.
In a candid interview with ScreenRant, Ortiz revealed the sequel he’d love to see would focus on Rocky’s reintegration with his own species after years apart. He mused, “I’d be curious about what the acclimation period would be like. He’s kind of turned into a person now, so how would they respond to him?” The actor hopes to explore how the Eridians react to a Rocky who’s been changed by his friendship with a human.
Meanwhile, author Andy Weir, whose novel inspired the film, confirmed he’s tinkering with “bits and pieces of good ideas” for Project Hail Mary 2, but admitted he doesn’t yet have a concrete plan. Instead, he’s channeling his energy into a new standalone sci‑fi novel that will feature AI as a central element, keeping the franchise’s creative momentum alive while the sequel remains in speculation.
Fans can already celebrate the film’s legacy with an upcoming three‑disc Steelbook set slated for October 13, 2026, and an immersive mixed‑reality game, Project Hail Mary: Journey Among the Stars. As the franchise expands beyond the screen, the question of Rocky’s future on Erid continues to fuel excitement for what could come next.
Five deleted scenes reveal the jokes that almost derailed Project Hail Mary’s tight‑rope balance of humor and suspense.
The home release of Phil Lord and Christopher Miller’s adaptation of Andy Weir’s bestseller adds five deleted scenes that showcase the duo’s signature over‑the‑top comedy. While each gag is undeniably entertaining—Grace battling a food paste in the opening medical bay, Rocky’s "You Sleep, I Watch" babysitting routine, and Grace’s tear‑filled darts‑and‑felt‑pen breakdown—they also illustrate why the filmmakers chose to prune them. In the opening "Day 1 Food Paste" bit, the extra slapstick would have undercut the shock of learning the other crew members died, so cutting it sharpened the narrative’s early tension.
The remaining cuts follow a similar logic. "You Sleep, I Watch" repeats a joke already established, and the "I Think I'm Handling Things" montage, though both funny and heartbreaking, lingers too long and threatens the film’s pacing. The "How To Put On A Spacesuit" sequence, with Grace fumbling through a Russian‑language tutorial and losing his glasses in zero‑gravity, adds a layer of comedy that would have diluted the mystery surrounding the alien astrophage. Finally, the "Maybe We're Cousins" extension, where Grace theorizes about the astrophage’s ecosystem, offers extra exposition but isn’t essential to the plot’s momentum.
Lord and Miller’s decision to excise these moments underscores their restraint: they preserve the character‑rich humor that fans love while keeping the story’s drive intact. The result is a streamlined sci‑fi adventure that feels both witty and urgent, proving that sometimes what’s left on the cutting room floor is just as important as what makes the final reel.
The home release of Project Hail Mary hides five deleted scenes that reveal just how wild Phil Lord and Christopher Miller’s humor got before it was trimmed.
The Blu‑ray and digital editions of Project Hail Mary come with a treasure trove of five deleted scenes, each a glimpse into the directors’ penchant for over‑the‑top comedy. From Ryan Gosling’s bewildered Ryland Grace smearing food paste on a medical arm to a Russian‑subtitled spacesuit tutorial gone awry, the cuts show how Lord and Miller constantly balanced slapstick with the film’s high‑stakes drama.
Among the excised moments, "Day 1 Food Paste" prolongs the opening gag of Grace’s confused awakening, while "You Sleep, I Watch" extends Rocky’s well‑meaning but repetitive attempts to monitor his new friend. A montage titled "I Think I’m Handling Things Pretty Awesome" pushes Grace’s isolation to both hilarious and heartbreaking extremes, and "How To Put On A Spacesuit" adds a zero‑gravity tutorial that would have slowed the mystery‑driven pacing. In each case, the directors chose to prune the humor to preserve narrative tension.
The lone scene that many fans argue should have survived is "Maybe We’re Cousins." After Rocky and Grace discover a predator wiping out the astrophage, Rocky speculates that all life might have originated on the alien world, prompting Grace to quip, "maybe we’re cousins." The line not only deepens the film’s speculative lore but also delivers a memorable, character‑driven punch that could have lingered in audiences’ minds long after the credits rolled.