When times are tough and world-weary souls have looked for an avenue of escapism to retreat from their woes, worries and weltschmerz, theyâve often flocked to the movies to relieve that pent-up pressure. And, at a time when it feels like the world is going to you-know-where in a you-know-what (like now), thatâs true more than ever. So itâs with that in mind that this much-anticipated sci-fi space adventure from directors Phil Lord and Christopher Miller enters the picture, a release promulgated with the hope of providing that much-needed and much-hoped-for entertainment remedy. Unfortunately, it comes up seriously short of the mark. When once-famous but now-discredited scientist Ryland Grace (Ryan Gosling) redeems himself by discovering the cause of a space-based catastrophe lying in wait with the potential to devastate the Earth, heâs ârecruitedâ by an international panel of investigators (led by a regrettably miscast Sandra HĂźller) to participate in a mission to resolve the issue. Heâs reluctant to go, given personal misgivings and his lack of experience as an astronaut, apprehensions that are unsurprisingly confirmed when he wakes up from hibernation to find heâs the only member of his crew to survive. Heâs thus left to teach himself how to pilot his spacecraft on his own and to look for a solution to the impending calamity, one that has apparently affected all of our neighboring solar systems but one. And, upon his arrival at that sole surviving locale, he encounters a stone-faced alien whom he names âRockyâ (voiced by James Ortiz) who has been dispatched from his home world to this same location for the same purpose. Perhaps working together will yield an answer for this unlikely duo, but first these two very different beings must learn how to communicate if theyâre to collaborate successfully, a challenge almost as big as their scientific dilemma. While this may sound like a plausible premise for an escapist fantasy offering, problems arise not so much in the nature of the story but in its error-filled execution. For starters, at a runtime of 2:36:00, itâs too long to maintain viewer interest with what it has to work with. Thatâs because the treatment never takes itself seriously enough to make audience members want to care about the characters or the outcome. Instead of creating a thrilling and engaging space adventure, the film becomes more of a lightweight buddy movie (and a very silly, almost juvenile, one at that). Comic relief is one thing, but this production carries this idea way too far, and this ends up becoming a chief source of the pictureâs desperate need for editing. On top of this, the narrative isnât especially original, combining tropes found in releases like âInterstellarâ (2014), âThe Martianâ (2015), and, even as unlikely as it may sound, âCast Awayâ (2000), with visual elements that look like they were plucked from â2001: A Space Odysseyâ (1968) and â2010: The Year We Make Contactâ (1984). And, speaking of visuals, the special effects are a decidedly mixed bag of images, with some stunningly beautiful and others that unbelievably look like theyâre 40 years out of date (talk about continuity issues). Then thereâs the lead performance by Gosling, who carries much of the picture by himself, again portraying (or attempting to portray) his signature supposedly soft-spoken everyman, but who, in this instance, routinely steps out of character and goes over the top with displays that are unmitigatedly hammy and cloying (much like his extraterrestrial co-star). Consequently, when all is said and done, âProject Hail Maryâ comes up an unexpected disappointment, failing to deliver the goods that its marketing team so fervently promised. I realize that I probably sound cantankerous and curmudgeonly in my assessment and that this will likely end up being an unpopular opinion that goes against what most critics and viewers say about it, but I truthfully came away from this one feeling unsatisfied. Nevertheless, if youâre still compelled to see this one any way, at least do yourself the favor of watching it on an IMAX screen for best effect. But, if I were you, Iâd wait for it to come to streaming instead.When times are tough and world-weary souls have looked for an avenue of escapism to retreat from their woes, worries and weltschmerz, theyâve often flocked to the movies to relieve that pent-up pressure. And, at a time when it feels like the world is going to you-know-where in a you-know-what (like now), thatâs true more than ever. So itâs with that in mind that this much-anticipated sci-fi space adventure from directors Phil Lord and Christopher Miller enters the picture, a release promulgated with the hope of providing that much-needed and much-hoped-for entertainment remedy. Unfortunately, it comes up seriously short of the mark. When once-famous but now-discredited scientist Ryland Grace (Ryan Gosling) redeems himself by discovering the cause of a space-based catastrophe lying in wait
