You Can See Everything (2026)

The three‑hour film"You Can See Everything" burst onto the Telluride Film Festival screen after a hush‑hush production that began 34 days before Holmes reported to a federal prison camp in May 2023. Filmed in the San Diego‑area beach house she shared with partner Billy Evans and their two toddlers, the documentary follows the former Theranos CEO through her final weeks of freedom and the three years that followed, offering an unprecedented glimpse into a life that has been under a media microscope for years. Co‑directors Lance Oppenheim—known for his investigative documentary work—and Canadian comedian Nathan Fielder, famed for his absurdist reality‑TV experiments, helm the project. Fielder, originally slated to stay behind the camera, was drawn into a central on‑screen role after his “strange and unnerving” conversations with Holmes and Evans turned the film into a hybrid of psychodrama and reality‑TV hangout, according to critics. The film doesn’t shy away from bombshell moments: Holmes and Evans discuss plans to resurrect a “new and improved Theranos,” while the camera captures intimate family scenes, from a baby’s bouncy chair to Evans’ shower moments that critics called “off‑limits.” Reviewers have praised the extreme close‑ups and Fielder’s relentless questioning, noting that Holmes maintains a steadfast claim of innocence, even as she appears to oscillate between denial and a chilling indifference to the fallout of her former company. Set for a theatrical debut on Oct. 16,"You Can See Everything" promises to upend the public’s perception of the once‑celebrated Silicon Valley prodigy. Whether it reshapes her legacy or simply adds another layer to the cautionary tale of Theranos, the documentary’s unprecedented access and unconventional storytelling make it a must‑watch for anyone fascinated by the intersection of ambition, fraud, and media spectacle.

In a recent interview, the Oscar‑nominated star was cornered about Nathan Fielder’s upcoming documentary‑style project You Can See Everything. Seyfried didn’t hand over a straight answer – she laughed that “everybody keeps asking me about it,” noting that fans of her hit series The Dropout have been texting her nonstop. She admitted she knows Fielder’s reputation for the unexpected, calling the prospect “wild,” and confessed she’d love to learn more before committing. The film, which pulls its narrative from the ABC audio podcast of the same name, dives into the rise and fall of Theranos founder Elizabeth Holmes and the high‑profile fraud trial that followed. The miniseries promises a deep look at Holmes’ personal history and the motivations behind her deception, with Seyfried slated for the lead role alongside a roster that includes Naveen Andrews, Elizabeth Marvel, Michel Gil, William H. Macy, Bill Irwin, Utkarsh Ambudkar and Stephen Fry. Early screenings have already earned praise, especially for Seyfried’s portrayal, cementing the project as a potential critical darling. Fielder’s penchant for secrecy has only amplified the buzz. The filmmaker recently revealed a title, trailer and release date for the surprise movie, and rumors swirl that he even visited Holmes in prison while shaping the story. As fans await a definitive answer from Seyfried, the mystery surrounding You Can See Everything continues to fuel speculation about what could become one of the year’s most talked‑about docudramas.

A24 finally put a date on its latest Telluride shocker, confirming that the Lance Oppenheim‑Nathan Fielder documentary You Can See Everything will hit theaters on Oct. 16. While the exact release strategy—platform or wide—remains under wraps, the move signals the studio’s confidence in a film that’s already buzzing inside the industry. The doc has already earned a perfect 100% on Rotten Tomatoes from its first ten Telluride reviews, and critics are noting its unusual tone. Clocking in at a brisk 2 hours 54 minutes, the film feels more like a fast‑paced click‑bait ride, thanks to Fielder’s absurdist presence alongside a surprisingly off‑beat Elizabeth Holmes and her partner Billy Evans. Shot just a month before Holmes was sentenced to prison for defrauding investors, You Can See Everything offers a fresh lens on a story that’s already spawned multiple documentaries, podcasts, bestselling books and a limited series that earned Amanda Seyfried an Emmy. As Pete Hammond put it, the film “blows the lid off the story” that has been retold so often, delivering new twists that even the most seasoned Theranos watchers won’t see coming. The timing is also noteworthy: A24’s announcement came as Bleecker Street nudged Alex Gibney’s near‑four‑hour Musk documentary forward to Oct. 9, hinting at a crowded fall slate of high‑profile tech biographies. Fans of the genre will have a lot to compare when both films finally land on the big screen.

A24 dropped the first full trailer for “You Can See Everything” on Wednesday, teasing a theatrical debut on Oct. 16. The clip follows the viral teaser’s unsettling rhythm, delivering a tense, mood‑lit glimpse of Nathan Fielder’s deep dive into the world of Theranos founder Elizabeth Holmes. In the film, Fielder literally moves in with Holmes and her partner, Billy Evans, for the 34 days leading up to her surrender to federal prison. The premise feels like a cross‑genre experiment—part cringe‑comedy, part true‑crime documentary—mirroring the off‑kilter style that made “Nathan for You” and “The Rehearsal” cultural touchstones. The project already earned a secret screening rave at the Telluride Film Festival, and awards pundits are whispering about a possible Best Picture run, a first for a documentary of this sort. Critics point to its genre‑busting approach and Fielder’s willingness to blur fact and performance as reasons it could shake up Oscar history. The trailer builds tension with Fielder’s relentless questioning of Holmes and Evans, from “You really feel you did nothing wrong?” to probing Evans about his wealth. It culminates in a rare, tear‑streaked moment from Holmes herself, underscoring the film’s promise to let viewers see everything—yet leave them with more questions than answers.