A masterclass in queer horror! Adrian Chiarella brilliantly subverts the conversion therapy trope by turning the"cleansing" ritual into a living, shape-shifting nightmare. The entity taking the shape of what the boys desire most—each other—is a devastatingly poetic metaphor. Tyson Perkins’ gorgeous, bleak cinematography of rural Australia makes every frame feel loaded with dread. It’s atmospheric, deeply romantic, and utterly heartbreaking.A masterclass in queer horror! Adrian Chiarella brilliantly subverts the conversion therapy trope by turning the"cleansing" ritual into a living, shape-shifting nightmare. The entity taking the shape of what the boys desire most—each other—is a devastatingly poetic metaphor. Tyson Perkins’ gorgeous, bleak cinematography of rural Australia makes every frame feel loaded with dread. It’s atmospheric, deeply romantic, and utterly heartbreaking.
News
Source: https://sea.mashable.com
The most controversial LGBTQ movie of the year is now streaming
Will audiences give this difficult and thoughtful watch a try? The most acclaimed LGBTQ movies of the 2020s — All of Us Strangers , I Saw the TV Glow , Fire Island, Leviticus, even Tár — have little in common with Blue Film . Yet writer/director Elliott Tuttle’s Blue Film holds a 95 percent on Rotten Tomatoes, ...
Source: https://www.hollywoodreporter.com
Two Films Share Top Jury Prize at 50th San Francisco Frameline Festival
'Leviticus' and 'Test' both won the outstanding first narrative feature after votes deadlocked; Jane Schoenbrun's 'Teenage Sex and Death at Camp Miasma' took the audience award.
