Exit 8 backdrop
Exit 8 poster
Horror
Mystery
Turn back.

Exit 8 (2025)

Runtime: 95 min
Release date: 28/08/2025
Production countries: Japan
Production companies: TOHO, AOI Pro., Story, Lawson, Suirinsha, Tohan, Office Nino, Metro Ad Agency
Overview
A man trapped in an endless sterile subway passageway sets out to find Exit 8. The rules of his quest are simple: do not overlook anything out of the ordinary. If you discover an anomaly, turn back immediately. If you don’t, carry on. Then leave from Exit 8. But even a single oversight will send him back to the beginning. Will he ever reach his goal and escape this infinite corridor?
Genki Kawamura profile photo
Genki Kawamura
Director & Screenwriter
Default profile image
Kentaro Hirase
Screenwriter
Cast
Kazunari Ninomiya profile photo
Kazunari Ninomiya
as The Lost Man
Yamato Kochi profile photo
Yamato Kochi
as The Walking Man
Nana Komatsu profile photo
Nana Komatsu
as The Woman
Naru Asanuma profile photo
Naru Asanuma
as The Boy
Kotone Hanase profile photo
Kotone Hanase
as The Schoolgirl
All trailers
Horror
Mystery

Exit 8

Official US Trailer [Subtitled]

Video: YouTube
Duration: 02:01
Horror
Mystery

Exit 8

Official Trailer [Subtitled]

Video: YouTube
Duration: 01:23
Reviews
Author: Alunauwie
Exit 8 adapts Kotake Create’s 2023 video game into a psychological loop that traps viewers in the same disorienting corridor as its protagonist, using shifting perspectives and symbolic typography to reflect inner guilt and trauma. While the repetitive structure and timeline inconsistencies may test patience, the film builds tension through the suffocating feeling of being stuck rather than through conventional scares. Ultimately, it delivers a reflective and immersive experience that favors emotional resonance over neat answers. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)Exit 8 adapts Kotake Create’s 2023 video game into a psychological loop that traps viewers in the same disorienting corridor as its protagonist, using shifting perspectives and symbolic typography to reflect inner guilt and trauma. While the repetitive structure and timeline inconsistencies may test patience, the film builds tension through the suffocating feeling of being stuck rather than through conventional scares. Ultimately, it delivers a reflective and immersive experience that favors emotional resonance over neat answers. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)