Ghost in the Cell backdrop
Ghost in the Cell poster
Horror
Comedy

Ghost in the Cell (2026)

Runtime: 106 min
Release date: 16/04/2026
Production countries: Indonesia, South Korea
Production companies: Come and See Pictures, Rapi Films, Barunson E&A, Legacy Pictures
Overview
A notorious prison, an invisible force begins killing inmates brutally, compelling enemy gangs and corrupt guards to work together as they try to survive the mounting bloodshed.
Joko Anwar profile photo
Joko Anwar
Director
Cast
Abimana Aryasatya profile photo
Abimana Aryasatya
as Anggoro
Bront Palarae profile photo
Bront Palarae
as Jefry
Dimas Danang profile photo
Dimas Danang
as Irfan
Endy Arfian profile photo
Endy Arfian
as Dimas
Lukman Sardi profile photo
Lukman Sardi
as Pendi
All trailers
Horror
Comedy

Ghost in the Cell

Ghost in the Cell - Official Trailer

Video: YouTube
Duration: 02:33
Horror
Comedy

Ghost in the Cell

International Teaser Trailer Ghost in the Cell

Video: YouTube
Duration: 01:51
Horror
Comedy

Ghost in the Cell

GHOST IN THE CELL | FIRST LOOK TEASER

Video: YouTube
Duration: 00:49
Reviews
Author: Hamzah1905
The premise is really intriguing, and honestly, I was quite amazed by this film. It blends horror and comedy really well. But unfortunately, Joko Anwar doesn’t feel as strong when it comes to writing the third act it loses some of its impact. On top of that, the political satire and underlying themes are delivered a bit too on-the-nose. It feels very blunt, almost like listening to a public service announcement. Still, I can’t deny how impressive the film’s disturbing elements are. It’s rare to find something that can make you feel disgusted and mesmerized at the same time, the aesthetic of discomfort here is genuinely striking.The premise is really intriguing, and honestly, I was quite amazed by this film. It blends horror and comedy really well. But unfortunately, Joko Anwar doesn’t feel as strong when it comes to writing the third act it loses some of its impact. On top of that, the political satire and underlying themes are delivered a bit too on-the-nose. It feels very blunt, almost like listening to a public service announcement. Still, I can’t deny how impressive the film’s disturbing elements are. It’s rare to find something that can make you feel disgusted and mesmerized at the same time, the aesthetic of discomfort here is genuinely striking.