Pressure backdrop
Pressure poster
Thriller
History
War
In the hours before D-Day, one decision changed the world.

Pressure (2026)

Runtime: 101 min
Release date: 25/05/2026
Production countries: United Kingdom, France
Production companies: Working Title Films, StudioCanal UK, StudioCanal
Overview
In the tense 72 hours before D-Day, and the fate of the free world hanging in the balance, General Dwight D. Eisenhower and Captain James Stagg face an impossible choice—launch the largest and most dangerous seaborne invasion in history or risk losing the war altogether.
Anthony Maras profile photo
Anthony Maras
Director
Cast
Andrew Scott profile photo
Andrew Scott
as James Stagg
Brendan Fraser profile photo
Brendan Fraser
as Dwight ‘Ike’ Eisenhower
Kerry Condon profile photo
Kerry Condon
as Kay Summersby
Chris Messina profile photo
Chris Messina
as Irving Krick
Damian Lewis profile photo
Damian Lewis
as Bernard ‘Monty’ Montgomery
All trailers
Thriller
History
War

Pressure

International Trailer 2

Video: YouTube
Duration: 01:01
Thriller
History
War

Pressure

Official US Trailer

Video: YouTube
Duration: 02:25
Thriller
History
War

Pressure

Official Trailer 2

Video: YouTube
Duration: 02:17
Thriller
History
War

Pressure

Official International Trailer

Video: YouTube
Duration: 02:30
Thriller
History
War

Pressure

Official Trailer

Video: YouTube
Duration: 02:46
Reviews
Author: Brent_Marchant
Weather is something that affects us all, though it’s also something to which most of us pay little attention unless there are potential or actual consequences at stake; then they often take on paramount importance. The impact can be somewhat ameliorated with an accurate forecast, but that’s often problematic, even with today’s advanced technology. So it can be hard to fathom what it might have been like to predict the weather without it, as was the case in the 1940s, when meteorology was just beginning to come into its own as an accepted science. Such was the case in June 1944, when Allied Forces in Europe were planning the D-Day invasion of France’s Normandy coast, the largest contingent of air, ground and water forces ever assembled, and the subject of the latest offering from writer-director Andrew Maras. Given the complexity of the operation, the lead organizer of the attack, Gen. Dwight “Ike” Eisenhower (Brendan Fraser), wanted an accurate weather forecast – one that provided “certainty” – for the time frame of its implementation (weather in Europe in late spring could be highly unpredictable, with a mix of both pleasant and exceedingly stormy patterns). If contending with that weren’t enough, Allied Forces also had to deal with the intricate logistics of the campaign and keeping it under wraps from German forces that might be more than ready for its launch. The pressure for success was great, too, in the wake of a disastrous dress rehearsal that took place several months earlier. So, to get the result he wanted, Ike recruited soft-spoken British meteorologist Capt. James Stagg (Andrew Scott), regarded as the best in the business. However, Stagg’s cautionary approach to forecasting did not sit well with Eisenhower, especially since it ran counter to the work of resident, long-trusted weatherman Irving Krick (Chris Messina), whose views often clashed with his more conservative British counterpart. Thus began the battle for whose forecast would ultimately prevail, with both the Supreme Commander and his British colleague, Gen. Bernard “Monty” Montgomery (Damian Lewis), breathing down their necks. Who would prove correct (and how)? More importantly, though, would D-Day take place on its scheduled date of June 5, or would it have to wait until the next projected favorable window of opportunity, June 18? Much was thus riding on this go/no go decision, and it all appeared to come down to what was regarded as a seemingly inconsequential consideration. To be sure, this aspect of the D-Day story was undoubtedly important and not particularly well known until recently, yet its role was positively undeniable, given its turning point nature to the outcome of World War II. And that’s made abundantly clear through this war film with a twist. The film presents a clear chronicle of the scenario, with fine period piece production values, well-staged battle sequences, and capable performances across the board, including those already noted, along with Kerry Condon as Eisenhower’s chief aide. However, the picture tends to become repetitive in explaining how events unfolded. What’s more, it has an aura of somewhat inflated self-importance about its story, attempting to lead viewers to believe that its narrative is more epic than it actually is (no disrespect intended). I essentially see this as a well-made TV movie that doesn’t quite have the degree of impact that a theatrical release should have. Admittedly, this offering is probably best seen on the big screen, though don’t be disappointed if it doesn’t quite live up to grander expectations. In light of that, then, unless one has a sense of urgency to see “Pressure,” waiting for it to come to streaming may ultimately be the best option.Weather is something that affects us all, though it’s also something to which most of us pay little attention unless there are potential or actual consequences at stake; then they often take on paramount importance. The impact can be somewhat ameliorated with an accurate forecast, but that’s often problematic, even with today’s advanced technology. So it can be hard to fathom what it might have been like to predict the weather without it, as was the case in the 1940s, when meteorology was just beginning to come into its own as an accepted science. Such was the case in June 1944, when Allied Forces in Europe were planning the D-Day invasion of France’s Normandy coast, the largest contingent of air, ground and water forces ever assembled, and the subject of the latest offering from
News
'Citizen Vigilante': A cinematic hand grenade lobbed at the cathedral of liberal pieties
Source: https://www.theblaze.com

'Citizen Vigilante': A cinematic hand grenade lobbed at the cathedral of liberal pieties

There are films you watch, films you forget, and films that perfectly capture the moment. Uwe Boll’s"Citizen Vigilante" belongs firmly in the last category. It’s provocative, violent, and unafraid to push the audience past their comfort zone. I watched it for free on Rumble and thoroughly enjoyed every chaotic minute — as did Elon Musk , who has been one of the film's most vocal cheerleaders. It’s exactly the kind of cinematic hand grenade a hyper-sanitized culture desperately needs. Watching a criminal actually face consequences on screen acts as a primal pressure valve, venting a lifetime of stored-up civic frustration. Boll has spent his career making films that divide audiences. Never one to chase Hollywood approval or fashionable opinion, the German has built his reputation on confronting subjects most directors would rather avoid. His films are designed to provoke rather than comfort, confronting audiences with uncomfortable questions about crime, power, justice, and human nature. With" Citizen Vigilante," he has delivered what may be his most explosive film yet. Banned in Germany Unsurprisingly, the film has already been effectively banned in Boll’s homeland. Regulators refused to give it a rating, terrified by how squarely it hits the nail on the head regarding the taboo subject of immigrant crime. The story plays out like"Taken" on steroids. Armie Hammer stars as a relentless citizen vigilante — a protagonist for the right, an antagonist for the left — who decides that if the system won't protect people from brutal gangs, he will. He hunts down violent criminals, tackles rapists, and cleans house with zero remorse. For the uninitiated, there is a delicious irony in Hammer playing a ruthless meat-grinder of a hero, considering his Hollywood career was spectacularly derailed during #MeToo by the preposterous, headline-grabbing accusation that he was a literal, real-life cannibal. But the sensational headlines surrounding its star shouldn't distract from what the film actually achieves."Citizen Vigilante" taps into something many Americans and Europeans have been feeling for years: a growing belief that public safety has been abandoned while the institutions meant to preserve it are busy updating their LinkedIn profiles. Modest expectation The average viewers aren't foaming-at-the-mouth psychopaths looking for bloodshed. They’re just exhausted taxpayers who enjoy seeing a little efficient, off-the-books urban renewal. They simply want the radical, avant-garde luxury of a competent government, functioning courts, and streets where a casual evening stroll doesn't require Kevlar . Today, that modest expectation feels like pure wishful thinking. Across much of Europe and parts of America, headlines dominate with depressing regularity: violent crime , repeat offenders, and overwhelmed police departments . Social media ensures that every shocking incident reaches millions before breakfast. Whether official crime statistics rise or fall matters less than the overwhelming public perception that governments have completely lost the plot. That perception is powerful, and ignoring it won't make it disappear. When citizens watch career criminals coast through the justice system on a judicial subscription plan — while prosecutors decline charges and politicians offer nothing but thoughts, prayers, and early release — frustration ceases to be passive. Eventually, cynicism becomes the prevailing sentiment, and people begin to ask a rather important question: What happens when the people responsible for enforcing justice appear completely incapable of delivering it? That question sits right at the heart of"Citizen Vigilante." RELATED: Banned 'anti-migrant' movie 'Citizen Vigilante' shoots to No. 1 after Elon Musk intervention L-R: ALLISON ROBBERT/AFP/Getty Images; Foc Kan/WireImage/Getty Images Broken social contract Hammer’s character, Sanders, is no comic-book superhero in spandex. He's simply a man looking at a broken social contract, watching violent thugs thrive while victims suffer, and decides to roll up his sleeves and fix the sewage himself. You don't have to endorse his butcher-shop methods to appreciate the exact brand of exhaustion driving them. The enduring appeal of vigilante cinema, from Clint Eastwood classics to"Death Wish," has never reflected a secret public desire for lawlessness. Rather, it exposes a deep craving for consequences, a desperate desire to see the cosmic ledger balanced when the authorities refuse to do it themselves. When official justice goes missing, fictional justice becomes deeply satisfying. Watching a criminal actually face consequences on screen acts as a primal pressure valve, venting a lifetime of stored-up civic frustration. The film understands this dynamic remarkably well, but it also highlights a dark humor running beneath the entire premise. Governments spend fortunes producing nauseating public relations campaigns celebrating"community resilience" while struggling to deliver the rather unfashionable service of keeping parasitic scum off the streets. Citizens are treated to endless speeches about values while wondering if they'll get stabbed on the subway ride home. Somewhere along the way, basic competence checked into a witness protection program. No wonder the film has captured the cultural imagination. Viewers want to see what a world with accountability, no matter how brutal, actually looks like. Many in their 20s and 30s have never known a society where real consequences actually exist. I am one of those people."Citizen Vigilante" operates best not as a love letter to anarchy, but as an autopsy of our institutions. After all, the rogue actor only becomes a romantic figure when legitimate authority is revealed to be purely ornamental.
Jeff Daniels, Bryan Cranston, and Kiefer Sutherland on What It’s Like to Play the President of the United States
Source: https://www.vanityfair.com

Jeff Daniels, Bryan Cranston, and Kiefer Sutherland on What It’s Like to Play the President of the United States

As America turns 250, actors who’ve played presidents—real and fictional, past and future, across stage and screen—share lessons learned and beliefs challenged.
Original 'Supergirl' Star Praises Milly Alcock Amid Box Office Flop
Source: https://www.newsmax.com

Original 'Supergirl' Star Praises Milly Alcock Amid Box Office Flop

Original"Supergirl" star Helen Slater has come out in strong support of the latest Warner Bros. adaptation and its lead actor Milly Alcock, even as the film faces a severe box office flop. Directed by Craig Gillespie, the new DC Studios release has sparked widespread...
MUBI vs. FilmStruck: All the best Twitter responses to the streaming feud
Source: https://filmdaily.co

MUBI vs. FilmStruck: All the best Twitter responses to the streaming feud

Explore the most witty Twitter reactions to the MUBI‐FilmStruck streaming showdown and see who wins the online banter battle. The post MUBI vs. FilmStruck: All the best Twitter responses to the streaming feud appeared first on Film Daily .
Spider-Man: Brand New Day Rumor Reveals Yelena Belova's NSFW Role In The Movie
Source: https://comicbookmovie.com

Spider-Man: Brand New Day Rumor Reveals Yelena Belova's NSFW Role In The Movie

We've known for the better part of a year that Thunderbolts* star Florence Pugh will return as Yelena Belova in Spider-Man: Brand New Day, and details on her cameo have now been revealed.
This Week in Anime - Under the Digital Big Top
Source: https://www.animenewsnetwork.com

This Week in Anime - Under the Digital Big Top

Step right up, step right up! Lucas and Coop explore the phenomenon that is The Amazing Digital Circus .
The Making of Nas' 'It Was Written'
Source: https://www.complex.com

The Making of Nas' 'It Was Written'

Thirty years ago, Nas released 'It Was Written', his classic follow up to 'Illmatic.' Here is the story of how he avoided the sophomore slump.
Ben Foster and Jay Baruchel Face Off in the First Teaser Trailer for THE STUNT RIDER, and It Looks Like a Fun Ride
Source: https://geektyrant.com

Ben Foster and Jay Baruchel Face Off in the First Teaser Trailer for THE STUNT RIDER, and It Looks Like a Fun Ride

If you're a fan of outrageous true stories, over-the-top daredevils, and offbeat comedies, the first teaser trailer for The Stunt Driver should be on your radar. Mongrel Media has released the first look at the upcoming biopic comedy, and it introduces audiences to one of Canada's most unforgettable stunt performers, Ken Carter, with a fun retro documentary style. Directed by Michael Dowse , the filmmaker behind Fubar , Fubar: Balls to the Wall , Goon , and What If , The Stunt Driver marks a return to his Canadian roots with a story that's every bit as outrageous as it sounds. Set in the mid-1970s, the film tells the true story of Ken Carter, played by Jay Baruchel , the self-proclaimed world champion stunt driver who dreams of pulling off an impossible feat. His goal is to launch a rocket-powered car across the St. Lawrence River, flying from Canada into the United States in a jump stretching nearly a mile. Of course, a plan like that doesn't come together without plenty of obstacles. Carter has to deal with public skepticism, personal struggles, and the pressure of proving everyone wrong while chasing a stunt that most people think has no chance of succeeding. Adding even more personality to the story is Ben Foster , who plays Carter's American rival, legendary daredevil Evel Knievel. The cast also includes Ed Helms as Dick Keller, along with Laurence Leboeuf , Dan Bakkedahl , Joe Cobden , and Marc Beaupré . Dowse and his team filmed the movie at the actual location where Carter attempted the famous St. Lawrence River jump, shooting between Boucherville and Varennes in Canada. The movie is inspired by the 1981 documentary The Devil at Your Heels , which chronicled Carter's life and incredible ambitions. Fans of animation may also recognize his legacy, as Carter is believed to have inspired Duke Caboom in Toy Story 4 . The teaser itself leans into an old-school documentary presentation, complete with an amusing narrator who sells the absurdity of Carter's larger-than-life personality. It's funny, full of charm, and does a great job introducing audiences to a Canadian legend many people outside the country may have never heard of. The Stunt Driver looks like it has all the ingredients for an entertaining crowd-pleaser. It's got an incredible true story, a cast packed with comedic talent, a memorable rivalry between Baruchel and Foster, and the kind of real-life stunt that almost sounds too ridiculous to have actually happened. The Stunt Driver exclusively in Canadian theaters on September 25, 2026. There’s no US date set yet.
Netflix's Global Hit: John Woo's 'The Killer' Remake Surges in Streaming Charts
Source: https://headtopics.com

Netflix's Global Hit: John Woo's 'The Killer' Remake Surges in Streaming Charts

John Woo's 2024 remake of The Killer, starring Nathalie Emmanuel and Omar Sy, has become a top streaming hit on Netflix after its initial Peacock release, achieving number one spots in multiple countries despite mixed reviews.
As a journalist, The Devil Wears Prada 2 had me sweating
Source: https://mashable.com

As a journalist, The Devil Wears Prada 2 had me sweating

"The Devil Wears Prada 2" examines journalism and editorial integrity while making Big Bads out of corporate tech bros who value profit over authenticity.