Pressure backdrop
Pressure poster
Thriller
History
War
In the hours before D-Day, one decision changed the world.

Pressure (2026)

Runtime: 100 min
Release date: 25/05/2026
Production countries: United Kingdom, France
Production companies: Working Title Films, StudioCanal UK, StudioCanal
Overview
In the tense 72 hours before D-Day, and the fate of the free world hanging in the balance, General Dwight D. Eisenhower and Captain James Stagg face an impossible choice—launch the largest and most dangerous seaborne invasion in history or risk losing the war altogether.
Anthony Maras profile photo
Anthony Maras
Director
Cast
Andrew Scott profile photo
Andrew Scott
as Captain James Stagg
Brendan Fraser profile photo
Brendan Fraser
as General Dwight D. Eisenhower
Kerry Condon profile photo
Kerry Condon
as Captain Kay Summersby
Chris Messina profile photo
Chris Messina
as Irving P. Krick
Damian Lewis profile photo
Damian Lewis
as Marshall Bernard Montgomery
All trailers
Thriller
History
War

Pressure

International Trailer 2

Video: YouTube
Duration: 01:01
Thriller
History
War

Pressure

Official US Trailer

Video: YouTube
Duration: 02:25
Thriller
History
War

Pressure

Official Trailer 2

Video: YouTube
Duration: 02:17
Thriller
History
War

Pressure

Official International Trailer

Video: YouTube
Duration: 02:30
Thriller
History
War

Pressure

Official Trailer

Video: YouTube
Duration: 02:46
Reviews
Author: Brent_Marchant
Weather is something that affects us all, though it’s also something to which most of us pay little attention unless there are potential or actual consequences at stake; then they often take on paramount importance. The impact can be somewhat ameliorated with an accurate forecast, but that’s often problematic, even with today’s advanced technology. So it can be hard to fathom what it might have been like to predict the weather without it, as was the case in the 1940s, when meteorology was just beginning to come into its own as an accepted science. Such was the case in June 1944, when Allied Forces in Europe were planning the D-Day invasion of France’s Normandy coast, the largest contingent of air, ground and water forces ever assembled, and the subject of the latest offering from writer-director Andrew Maras. Given the complexity of the operation, the lead organizer of the attack, Gen. Dwight “Ike” Eisenhower (Brendan Fraser), wanted an accurate weather forecast – one that provided “certainty” – for the time frame of its implementation (weather in Europe in late spring could be highly unpredictable, with a mix of both pleasant and exceedingly stormy patterns). If contending with that weren’t enough, Allied Forces also had to deal with the intricate logistics of the campaign and keeping it under wraps from German forces that might be more than ready for its launch. The pressure for success was great, too, in the wake of a disastrous dress rehearsal that took place several months earlier. So, to get the result he wanted, Ike recruited soft-spoken British meteorologist Capt. James Stagg (Andrew Scott), regarded as the best in the business. However, Stagg’s cautionary approach to forecasting did not sit well with Eisenhower, especially since it ran counter to the work of resident, long-trusted weatherman Irving Krick (Chris Messina), whose views often clashed with his more conservative British counterpart. Thus began the battle for whose forecast would ultimately prevail, with both the Supreme Commander and his British colleague, Gen. Bernard “Monty” Montgomery (Damian Lewis), breathing down their necks. Who would prove correct (and how)? More importantly, though, would D-Day take place on its scheduled date of June 5, or would it have to wait until the next projected favorable window of opportunity, June 18? Much was thus riding on this go/no go decision, and it all appeared to come down to what was regarded as a seemingly inconsequential consideration. To be sure, this aspect of the D-Day story was undoubtedly important and not particularly well known until recently, yet its role was positively undeniable, given its turning point nature to the outcome of World War II. And that’s made abundantly clear through this war film with a twist. The film presents a clear chronicle of the scenario, with fine period piece production values, well-staged battle sequences, and capable performances across the board, including those already noted, along with Kerry Condon as Eisenhower’s chief aide. However, the picture tends to become repetitive in explaining how events unfolded. What’s more, it has an aura of somewhat inflated self-importance about its story, attempting to lead viewers to believe that its narrative is more epic than it actually is (no disrespect intended). I essentially see this as a well-made TV movie that doesn’t quite have the degree of impact that a theatrical release should have. Admittedly, this offering is probably best seen on the big screen, though don’t be disappointed if it doesn’t quite live up to grander expectations. In light of that, then, unless one has a sense of urgency to see “Pressure,” waiting for it to come to streaming may ultimately be the best option.Weather is something that affects us all, though it’s also something to which most of us pay little attention unless there are potential or actual consequences at stake; then they often take on paramount importance. The impact can be somewhat ameliorated with an accurate forecast, but that’s often problematic, even with today’s advanced technology. So it can be hard to fathom what it might have been like to predict the weather without it, as was the case in the 1940s, when meteorology was just beginning to come into its own as an accepted science. Such was the case in June 1944, when Allied Forces in Europe were planning the D-Day invasion of France’s Normandy coast, the largest contingent of air, ground and water forces ever assembled, and the subject of the latest offering from
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It’s taken charisma, uniqueness, nerve, talent, and a literal village for the first feature film from the RuPaul’s Drag Race universe to hit the big screen. Between comedy legends, Hollywood icons, and drag queens, Stop! That! Train! has a cast list pushing 40 actors, including RuPaul (President Gagwell), Matt Rogers (White House press secretary), Rachel Bloom (Donna Dusk), Guy Branum (train traffic controller), plus Sarah Michelle Gellar, Jesse Tyler Ferguson, Nicole Richie, Joel McHale, June Diane Raphael, Drew Droege, and Mayan Lopez — as well as a formidable slate of Ru girls, including Jujubee, Ginger Minj, Symone, Brooke Lynn Hytes, Marcia Marcia Marcia, and Latrice Royale. Special OUT Digital Cover for 'Stop! That! Train!' Albert Sanchez In the great tradition of the satirical disaster film Airplane!, Stop! That! 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Regarding the origin story of this off-the-rails comedy, director Adam Shankman ( Hairspray , Disenchanted ) was choreographing a couple of Rusicals on Drag Race when Randy Barbato and Fenton Bailey — the co-heads of World of Wonder, the production company that created RuPaul’s Drag Race , among other LGBTQ+ films and TV shows — approached him to discuss a new project. Director Adam Shankman, RuPaul, and writers Christina Friel and Connor Wright at the 'Stop! That! Train!' premiere in Los Angeles. Todd Williamson/JanuaryImages “We have a script that’s really funny,” they told him, Shankman reminisces. “RuPaul would love if you’d take a look at it.” While considering it, Shankman cautioned the Drag Race moguls that he’d never done an independent film before. (Despite its starry cast and global theatrical release, Stop! That! Train! had a limited budget.) “Ru wanted me to direct the movie,” Shankman reflects. “I’ve known Ru since 1994. We have history. We’re fans of the same stuff.” Upon reading the script and meeting again with Bailey and Barbato, Shankman was compelled to make it werk . While emphasizing that “the movie is not the show” (more on that later), he agreed to direct Stop! That! Train! , which could become chapter one of a cinematic Ru-niverse. Despite the historic box-office success of drag-led productions like To Wong Foo and The Birdcage , there is a notable lack of wigged representation in modern-day theatrical releases. This is “perplexing” to World of Wonder execs Bailey and Barbato. “These artists can serve movie-star looks, know how to act, and can be some of the funniest people on the planet,” Bailey remarks. “Some of our favorite movies feature drag: Rocky Horror Picture Show ; Tootsie ; The Adventures of Priscilla , Queen of the Desert ; even Some Like It Hot and Mrs. Doubtfire . 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Train! , alongside her best friend and colleague DeeDee (Jujubee), as both battle the elements and mean-girl coworkers in order to save their passengers. Transported to an acting set, Minj recalls a very different experience than that of the high-stakes drag competition. RuPaul and Matt Rogers World of Wonder/Bleecker Street “We were on a little bit of a break, and Jujubee started making whale sounds,” Minj says. “And then, from behind us, RuPaul started making whale sounds.” The bit “went on and on for a very long time,” Minj adds, which put them at ease. “RuPaul was there just to play with us.... We really clicked with her as a coworker, instead of her being the almighty RuPaul that she always is.” Did those Rusical experiences with Drag Race queens inform how Shankman directed Stop! That! Train! ? “No,” he replies. “I did nine seasons on So You Think You Can Dance as a judge. A competition show is about getting contestants through challenges and showing them in their best light. It’s all about them. Making a movie is about the big picture: how pieces of the puzzle work together, and integrating actors as seamlessly as possible.” Shankman, who was fully involved in casting the queens of Stop! That! Train! , reveals that “everybody had to audition. They all sent in tapes. I saw lots of auditions.” A million (Ru-)girls would kill for that job. How did that go? “I think almost 700 girls have competed throughout all Drag Race franchises,” he muses. “Because I wanted to respect what World of Wonder has done, we focused on the girls who had been part of the show.” The queens share a tense moment in 'Stop! That! Train!' World of Wonder/Bleecker Street Searching for actors among queens, the director prioritized performers who could listen and anchor a heightened premise onto real feelings. And this cast followed certain parameters. “I didn’t let any of the queens do their own makeup. 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Train! was filmed in 19 days. “It wasn’t even three weeks.” He reasons that most star cameos were shot in “half a day each,” and even the film’s most active actors “worked for like five days, at most.” That was “the longest anybody worked who wasn’t a drag queen,” the director says, praising the queens for constantly showing up excited, focused, and eager to werk it out, often through shoots of “over nine pages a day.” Adam Shankman and RuPaul World of Wonder/Bleecker Street After all her runs around the Oval Office, would RuPaul now run for office? No, but Bailey and Barbato “would vote for President Gagwell... she fun !” echoing her campaign slogan in the film. 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Train! the first movie of a cinematic Ru-niverse? Shankman would “of course” return for a sequel, but notes that it “depends on if the community comes out and supports, buys tickets, and makes it a success.... If this does well, there are infinitely more opportunities. But those will only come if people are willing to come to the theater, sit their tushies down, and laugh together, celebrating these incredible artists.” Stop! That! Train! hits theaters June 12. This special digital cover story is also part of OUT's July-Aug 2026 print issue, on newsstands July 7. Support queer media and subscribe — or download the issue through Apple News+, Zinio, Nook, or PressReader starting June 18. Go behind the scenes with the cast of Stop! That! Train!
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