An essential element of any love story is chemistry between the lead characters, even if it takes an unconventional form. Regrettably, however, that’s exactly what’s missing in director Bing Liu’s debut narrative feature, based on the novel by Atticus Lish. Told in the form of a narrated letter/journal entry to her late film, the film chronicles the unlikely love story of Aishe (Sebiye Behtiyar), an ambitious, sharp-witted twentysomething Uyghur woman who illegally immigrates to the US, and Skinner (Fred Hechinger), a troubled young American soldier who just returned stateside after three tours of duty in the Middle East and is now apparently unsuccessfully battling PTSD. They meet by chance in New York, where Aishe toils to make ends meet working long hours in a Chinatown restaurant and Skinner tries to sort out his life and his mental state. Together they embark on a rollercoaster romance with a series of breakups and reconciliations as Aishe tries to decide on marriage or a life of solitude, peace of mind and independence, all the while staying ahead of immigration authorities, and Skinner seeks to find a stable existence that may or may not involve the love of his life, depending on his mood, focus and ever-changing inclinations for a steady, traditional relationship. To be honest, the basic premise behind this release is inherently something of a stretch, made worse by a narrative that becomes meandering and redundant after a time. But the bigger issue here is that I never bought the sincerity of the connection between the protagonists, right from the moment they met and at virtually every turn during the course of their on-again/off-again partnership. The reason? Despite her inexperience with romance, Aishe seems far too smart and determined to chart the course of her life to put up with Skinner’s unpredictability and capriciousness. In fact, after their first emotionally tense confrontation, I was astounded by their subsequent reconciliation, given that she seems like the type who would have walked away and not looked back without a second thought. Granted, an immigration-driven marriage might resolve some of the issues of her legal status in the US, but with Skinner? It’s true that she has an apparently deep sense of compassion for his condition, but, being the fiercely headstrong individual that she is, I can’t see that empathy being enough in itself to make her want to stay with him on a long-term basis. What’s more, Aishe’s back story often feels incomplete, and Skinner’s is even more nonexistent, an aspect of the story that makes their actions and responses all the more perplexing at times. In all, this offering is half-baked and implausible across the board, making for a screen romance that’s unengaging and unrealistic, one not worth the time.An essential element of any love story is chemistry between the lead characters, even if it takes an unconventional form. Regrettably, however, that’s exactly what’s missing in director Bing Liu’s debut narrative feature, based on the novel by Atticus Lish. Told in the form of a narrated letter/journal entry to her late film, the film chronicles the unlikely love story of Aishe (Sebiye Behtiyar), an ambitious, sharp-witted twentysomething Uyghur woman who illegally immigrates to the US, and Skinner (Fred Hechinger), a troubled young American soldier who just returned stateside after three tours of duty in the Middle East and is now apparently unsuccessfully battling PTSD. They meet by chance in New York, where Aishe toils to make ends meet working long hours in a Chinatown restaurant and
