The Death of Robin Hood backdrop
The Death of Robin Hood poster
Adventure Drama Action
He was no hero.

The Death of Robin Hood (2026)

Runtime 123 min
Release date 18/06/2026
Country United States of America
Production
Lyrical Media Lyrical Media
Ryder Picture Company Ryder Picture Company
Overview
Grappling with his past after a life of crime and murder, Robin Hood finds himself gravely injured after a battle he thought would be his last. In the hands of a mysterious woman, he is offered a chance at salvation.
Directors & Screenwriters
Michael Sarnoski profile photo
Michael Sarnoski
Director
Cast
Hugh Jackman profile photo
Hugh Jackman
as Robin Hood
Jodie Comer profile photo
Jodie Comer
as Sister Brigid
Bill Skarsgård profile photo
Bill Skarsgård
as Little John
Murray Bartlett profile photo
Murray Bartlett
as The Leper
Noah Jupe profile photo
Noah Jupe
as Arthur
/ Godwyn
All trailers
Adventure Drama Action

The Death of Robin Hood

Stories

Video: YouTube
Duration: 00:31
Adventure Drama Action

The Death of Robin Hood

Official Promo

Video: YouTube
Duration: 01:01
Adventure Drama Action

The Death of Robin Hood

Official Trailer

Video: YouTube
Duration: 02:27
Did You Know?
The Death Of Robin Hood review
Image via headtopics.com,

Robin Hood Gets a Blood‑Soaked Makeover—And It’s Not What Fans Expected

The latest release, The Death Of Robin Hood, tosses the legendary outlaw’s feathered cap for a grizzled, fur‑clad anti‑hero played by Hugh Jackman, with Jodie Comer at his side. Forget the wistful 1970s romance of Robin And Marian; this film feels more like a medieval slasher, a "Sherwood Chainsaw Massacre" that drenches the forest in mud, blood, and relentless violence. Jackman’s Robin is a battle‑scarred, bearded specter who roams a Pythonesque Britain, slaughtering entire families with a ferocity that makes his own legend feel like a nightmare. The dialogue is so mumbled that even subtitles become a lifeline, and his forced Nottingham accent adds an unintentionally comic layer to the carnage. Little John, stripped of his merry charm, joins the rampage in a series of grotesque set‑pieces that leave viewers clutching the armrests. Midway through the two‑hour ordeal, the blood‑soaked outlaw is forced to pause at an idyllic island priory, where a kindly prioress, a leper with Zen‑like wisdom, offers a fleeting glimpse of redemption. Robin tends to Little John’s daughter and is reminded that "it’s never too late to find peace," but the film never fully commits to this softer turn, leaving the audience unsure whether the character will ever emerge from his self‑declared monsterhood. Even with Jackman and Comer’s undeniable talent, writer‑director Michael Sarnoski leaves them scrambling for substance. The movie promises a deeper look at the man behind the legend, but delivers only surface‑level gore and a muddled script. Critics gave it a lukewarm two‑star rating, branding the verdict “We were robbed.”