War Machine backdrop
War Machine poster
Action
Science Fiction
Thriller
All grit. No quit.

War Machine (2026)

Runtime: 110 min
Release date: 12/02/2026
Production countries: Australia, United States of America
Production companies: Lionsgate, Hidden Pictures, Huge Film, Range Media Partners
Overview
On one last grueling mission during Army Ranger training, a combat engineer must lead his unit in a fight against a giant otherworldly killing machine.
Patrick Hughes profile photo
Patrick Hughes
Director & Screenwriter
James Beaufort profile photo
James Beaufort
Screenwriter
Cast
Alan Ritchson profile photo
Alan Ritchson
as 81
Dennis Quaid profile photo
Dennis Quaid
as Army Sgt Maj Sheridan
Stephan James profile photo
Stephan James
as 7
Jai Courtney profile photo
Jai Courtney
as Class President
Esai Morales profile photo
Esai Morales
as Army Officer Torres
All trailers
Action
Science Fiction
Thriller

War Machine

Official Trailer

Video: YouTube
Duration: 02:03
Reviews
Author: Sejian
March 9, 2011 (Holy !@#$, I feel old.) > When once distant UFOs become a terrifying threat and an alien invasion force begins attacking Earths major costal and riverside cities, a U.S Marine staff sergeant and his team are sent into battle only to find they must take it upon themselves to defeat an unknown enemy and protect what remains of Los Angeles. Look, I enjoyed"Battle: Los Angeles (2011)" for what it was. It was a'ight. Likewise, this movie is also a'ight. I will say though, that the U.S. military propaganda feels more in your face here. Also, Alan's acting feels off sometimes, especially in his final speech. P.S. In case all of that went over your head, I'm saying"War Machine (2026)" is literally"Battle: Los Angeles (2011)". Go 'head. Watch the two movies back to back, side by side, then come back and tell me it ain't the same movie.March 9, 2011 (Holy !@#$, I feel old.) > When once distant UFOs become a terrifying threat and an alien invasion force begins attacking Earths major costal and riverside cities, a U.S Marine staff sergeant and his team are sent into battle only to find they must take it upon themselves to defeat an unknown enemy and protect what remains of Los Angeles. Look, I enjoyed"Battle: Los Angeles (2011)" for what it was. It was a'ight. Likewise, this movie is also a'ight. I will say though, that the U.S. military propaganda feels more in your face here. Also, Alan's acting feels off sometimes, especially in his final speech. P.S. In case all of that went over your head, I'm saying"War Machine (2026)" is literally"Battle: Los Angeles (2011)". Go 'head. Watch the two movies back to
Author: MovieGuys
Just in time for the US's war of aggression in Iran comes"War Machine." A bravado ridden affair where the US military rules the world and its working class tough guys (and one girl) take on all aggressors, including giant 80's-style VCR-like UFOs with legs, missiles, and ray guns. Viewed as simplistic military action, entertainment its alright. Lots of people get killed in grisly style, and things go"ka-boom." In summary, given the current war mongering climate US military propaganda is unsurprisingly front and center in this basic sci-fi war film. A mediocre watch.Just in time for the US's war of aggression in Iran comes"War Machine." A bravado ridden affair where the US military rules the world and its working class tough guys (and one girl) take on all aggressors, including giant 80's-style VCR-like UFOs with legs, missiles, and ray guns. Viewed as simplistic military action, entertainment its alright. Lots of people get killed in grisly style, and things go"ka-boom." In summary, given the current war mongering climate US military propaganda is unsurprisingly front and center in this basic sci-fi war film. A mediocre watch.
Author: Ditendra
War Machine (2026) is a standout for anyone who appreciates a straightforward, high-tension film that avoids the typical political traps of the military genre. It delivers a raw experience by focusing on the physical and mental endurance of the characters rather than pushing a specific agenda or narrative. Alan Ritchson brings a grounded intensity to the role of"81," making the transition from a grueling Ranger selection process to a sci-fi survival scenario feel surprisingly realistic. The film excels because it stays focused on the technical aspects of the situation—how the squad adapts to an unknown threat with limited resources and sheer willpower. The lack of propaganda is one of its strongest points; it doesn't try to lecture the audience or romanticize the conflict beyond the survival of the men on the ground. It is pure, high-stakes cinema that relies on atmosphere and pacing to keep you invested.War Machine (2026) is a standout for anyone who appreciates a straightforward, high-tension film that avoids the typical political traps of the military genre. It delivers a raw experience by focusing on the physical and mental endurance of the characters rather than pushing a specific agenda or narrative. Alan Ritchson brings a grounded intensity to the role of"81," making the transition from a grueling Ranger selection process to a sci-fi survival scenario feel surprisingly realistic. The film excels because it stays focused on the technical aspects of the situation—how the squad adapts to an unknown threat with limited resources and sheer willpower. The lack of propaganda is one of its strongest points; it doesn't try to lecture the audience or romanticize the conflict beyond the
Author: Durdahn
A simple action film starring muscleman Alan Ritchson, known from the DC series Titans and Reacher. A visibly aged Dennis Quaid also makes a cameo appearance. All in all, it's a straightforward and bloody film. The characters remain nameless, identified only by numbers. The film is entertaining but lacks depth, requiring careful attention.A simple action film starring muscleman Alan Ritchson, known from the DC series Titans and Reacher. A visibly aged Dennis Quaid also makes a cameo appearance. All in all, it's a straightforward and bloody film. The characters remain nameless, identified only by numbers. The film is entertaining but lacks depth, requiring careful attention.
Author: screenopolis
Read at Screenopolis: https://screenopolis.com/reviews/war-machine-burns-hot-goes-nowhere War Machine is the latest Netflix movie glorifying American tough guys kickin’ ass. The plot is familiar: alien comes to earth, bad-ass soldiers are deployed, carnage ensues, tough-guy outsmarts the alien, ho-rah America! War Machine has been compared a lot to Predator, not only because the plot is similar, but also because it features current Arnold Schwarzenegger-esque tough-guy Alan Ritchson in the lead role. You may remember this mountain of a human from Reacher on Amazon Prime or the zany The Ministry of Ungentlemanly Warfare with Henry Cavill. Ritchson plays tough-as-rocks engineer/soldier 81. He is a number, not a free man. Ritchson’s character never gets a name. He does not need one. It would only distract you from admiring his bottomless reservoir of pain and grit. You see, 81 had a brother, played by Jai Courtney. His brother was nameless too, so we will call him Bro. 81 and Bro served in Afghanistan. Bro was cocky. He really wanted to be an Army Ranger with 81, who was weary from being so bad-ass. When Bro’s truck pooped out, 81 was deployed from the 101st Rudimentary Foreshadowing Brigade to lecture him on the 2nd Law of Thermodynamics and clean out his gunked-up radiator. Then the bad guys bombed them. Bro and 81 are hurt. 81 pulls a massive chunk of metal from his knee, grabs his Bro, and tries to get back to base. Spoiler alert, they do not make it. Bro dead, 81 has hurty knee, cue the grit. So much grit. Guilty from not saving his Bro, 81 signs up for Ranger tryouts, even though he is 20 years too old, badly injured, and has *gasp* facial hair! Pete Hegseth would shit his vodka-soaked pants if he saw this guy in formation. After numerous skinny white kids get booted from tryouts, the commander, played by a finger-pointy Dennis Quaid, thinks 81 does not have what it takes to cross the finish line and be a Ranger. He thinks 81 is too bad-ass, and sensitive, and deep, and dreamy. Rather than kick 81 out, they drop him in the forest with a pack of nobodies to prove his bad-assery. Finally, after all this setup, the alien shows up. The ass-kicking proper gets underway. Now, here is the problem with this movie: who in the hell cares about Bro or the 2nd Law of Thermodynamics, or Ranger school, or finish lines, or any of the setup? I came here to watch explosions, not emotions and grit. War Machine‘s lengthy setup is unnecessary and ham-fisted. Watch the first five minutes of Predator (split between these two videos below). Predator accomplishes in minutes (and better) what War Machine burns a half an hour to do (and much worse). It also has awesome theme music from Alan Silvestri. In walks Arnold, he slaps arms with Dillon, fuck yeah! Let’s do this thing. That is all we need. Arnold is bad-ass, Dillion has a dangerous mission, blah blah blah, cue Long Tall Sally. We ain’t got time to emote. Predator does not waste one nanosecond being anything more than it was, a stupid action movie with paper-thin characters (some of whom are sexual tyrannosauruses). The result is a supremely satisfying movie filled with great one-liners. War Machine desperately needs to stay in its lane. Nobody wants a meditation on the human condition with a stupid flick like War Machine. We want non-stop alien butt-kicking peppered with corny jokes and latent homosexuality. Nevertheless, once the alien shows up in War Machine, the movie improves. The attacks are relentless, exhilarating, and bloody. The alien robot racks up an impressive body count in short order. It is pretty bad-ass, although not as bad-ass as 81, who is smart and has all those gigatons of grits. Remember that thermodynamics stuff with Bro? Yeah, that is how you kill an indestructible robot from another world. You shove rocks in its nose until it overheats. Boom. The only way to enjoy this movie is to totally shut down every part of your critical thinking. If you stick to the spectacle, the movie is fine and enjoyable. If you spend any time thinking about this movie, it sucks rocks. In addition to the terrible setup, this movie has a worthless cast. None of the supporting characters contribute anything of value. They are your standard-issue “military guys” and a lone bald-headed woman (who is mildly bad-ass until she’s not) direct from central casting. Even Jai Courtney’s role felt as limp and lifeless as his character’s body. Dennis Quaid phones in his role as gruff commander who must be within minutes of mandatory retirement age. However, the most demoralizing part of this movie is the end – yeah I am going to spoil it. It is for your own good. After killing the unstoppable alien machine, 81 gets back to base. He is triumphantly promoted to Ranger. There is a lot of saluting, back slapping, and fist pumping with fluttering American flags. Woohoo! Then they send the poor sap back out to fight. Congratulations 81 your reward for surviving is to go right back out and die. No rest. No shower. No plate of tater tots. Get to the chopper and fight the unstoppable killing robot – again. 81’s ending is meant to feel rousing and full of even more grit, but it only feels super depressing. Aww. If you can shut off your brain, you might like War Machine. I did enjoy the battle scenes with the alien. However, the movie tries too hard to be more than it is. It wants to go somewhere special but ends up going nowhere.Read at Screenopolis: https://screenopolis.com/reviews/war-machine-burns-hot-goes-nowhere War Machine is the latest Netflix movie glorifying American tough guys kickin’ ass. The plot is familiar: alien comes to earth, bad-ass soldiers are deployed, carnage ensues, tough-guy outsmarts the alien, ho-rah America! War Machine has been compared a lot to Predator, not only because the plot is similar, but also because it features current Arnold Schwarzenegger-esque tough-guy Alan Ritchson in the lead role. You may remember this mountain of a human from Reacher on Amazon Prime or the zany The Ministry of Ungentlemanly Warfare with Henry Cavill. Ritchson plays tough-as-rocks engineer/soldier 81. He is a number, not a free man. Ritchson’s character never gets a name. He does not need one.
Author: chriisduran
Was fun, without expectation and breathaking, sometimes with good scenes of action however is only a movie to enjoy in family, not more.Was fun, without expectation and breathaking, sometimes with good scenes of action however is only a movie to enjoy in family, not more.
Author: popcar2
**Netflix executive after playing Metal Gear Solid for the first time:"Holy crap, I have the perfect idea for a movie!"** War Machine is a movie where John Armyman fights a Metal Gear while saying badass one-liners and eating nails for breakfast, because he's that cool and badass - isn't that right kids? Don't you want to sign up to the US army now? The acting was good and the CGI was passable, but the movie is so unbelievably generic that I have nothing more to say about it. Oh, and it ends on a cliffhanger and teases a sequel in the end. The movie is also thinly veiled propaganda for the US military that constantly portrays them as badass war heroes that save their country, at a suspicious time when everyone knows they're more about spending billions of tax money bombing poor people they don't like in the middle east. The gruesome death scenes at least entertained me a little bit...**Netflix executive after playing Metal Gear Solid for the first time:"Holy crap, I have the perfect idea for a movie!"** War Machine is a movie where John Armyman fights a Metal Gear while saying badass one-liners and eating nails for breakfast, because he's that cool and badass - isn't that right kids? Don't you want to sign up to the US army now? The acting was good and the CGI was passable, but the movie is so unbelievably generic that I have nothing more to say about it. Oh, and it ends on a cliffhanger and teases a sequel in the end. The movie is also thinly veiled propaganda for the US military that constantly portrays them as badass war heroes that save their country, at a suspicious time when everyone knows they're more about spending billions of tax money bombing poor
Author: Sierbahnn
This is a poor remake Can we just make sure that everyone knows that this is a contemporary reimagining of the Predator-movie with Arnold? Ok? Everyone on board with that? Cool. Then we can continue. Alan is not Arnold. The actor is large, and he moves well, maybe even better than Arnold, but he has no charisma, and lacks screen presence in this role. The monster is not the Predator. This is all CGI, which gives it no weight, you cannot interact with it other than with other cgi things, like pullets and rocks, and it has no personality, reason, motivation. It just is. It is clearly inspired by the Deathbringer in Horizon Zero Dawn computer game, but this one is pretty pale compared to that one too. The characters are overall pretty forgettable, you do not relate or care for any of them, which makes the stakes lower. The movie is shot well and looks more than ok, but it has no heart. It is a poor action movie, compared to what it aspires to be, with a poor protagonist, compared to Dutch in Predator, and will be forgotten fairly quickly, as far as movies go.This is a poor remake Can we just make sure that everyone knows that this is a contemporary reimagining of the Predator-movie with Arnold? Ok? Everyone on board with that? Cool. Then we can continue. Alan is not Arnold. The actor is large, and he moves well, maybe even better than Arnold, but he has no charisma, and lacks screen presence in this role. The monster is not the Predator. This is all CGI, which gives it no weight, you cannot interact with it other than with other cgi things, like pullets and rocks, and it has no personality, reason, motivation. It just is. It is clearly inspired by the Deathbringer in Horizon Zero Dawn computer game, but this one is pretty pale compared to that one too. The characters are overall pretty forgettable, you do not relate or care for any
News
JOHN RAMBO Star Reveals the FIRST BLOOD Scene That Became the Prequel’s “North Star”
Source: https://geektyrant.com

JOHN RAMBO Star Reveals the FIRST BLOOD Scene That Became the Prequel’s “North Star”

The best part of First Blood isn’t John Rambo blowing things up, escaping into the wilderness, or turning the tables on the cops hunting him. It’s the moment when all of that toughness finally collapses and we see just how badly damaged this guy really is. That has become a major influence on the upcoming John Rambo prequel film, according to star Noah Centineo , and that’s a pretty encouraging sign for anyone hoping the new movie understands what made Rambo such a compelling character in the first place. The Rambo franchise eventually became synonymous with massive guns, explosions, body counts, and Sylvester Stallone looking like he could take down a small army by himself. But the original 1982 film was a different kind of action movie. At its heart, First Blood was about trauma, PTSD, isolation, and what happens when a soldier trained for war comes home to a country that has no idea what to do with him. During an appearance on Josh Horowitz’s Happy Sad Confused podcast, Centineo explained that the emotional breakdown between Rambo and Colonel Trautman near the end of First Blood became the guiding point for how he approached the younger version of the character. “What was really important to me and us, it’s one of the last scenes in First Blood when Stallone is with Trautman and he just breaks down. He’s talking about he can’t hold a job and that he’s a war machine, you know, he can fly helicopters but he can’t f*cking park cars. “And then the trauma of his friends being all over and being, you know, ‘he doesn’t have any legs’, right? This is the emotional crux of First Blood and I just looked at that monologue as our North Star. “For me it was important that over the course of this movie the audience viscerally understands the pain that Rambo had gone through to become the monster that he is, that we all have come to know and love.” That’s exactly the kind of foundation a John Rambo prequel needs. By the time audiences meet Rambo in First Blood , he’s already carrying years of pain with him. He arrives in Hope, Washington, as a drifter after learning that one of his fellow soldiers has died. Instead of finding any compassion, Sheriff Teasle decides Rambo doesn’t belong in his town and pushes him out. Things escalate from there, with Rambo suffering abuse at the hands of law enforcement that triggers memories of the torture he endured during the Vietnam War. What follows is violent, but First Blood doesn’t treat Rambo as a simple action hero tearing through bad guys. His actions have consequences, and the movie ultimately forces us to confront the person underneath the survival skills and violence. After spending most of the movie watching Rambo function as an almost unstoppable soldier, we finally see the wounded human being underneath it all. He can operate military equipment and survive situations that would kill most people, but he can’t figure out how to fit back into everyday life. The war followed him home. If John Rambo uses that emotional territory as its foundation, the prequel has an opportunity to show us how he became the man Stallone introduced in 1982 rather than simply giving us a younger Rambo mowing down enemies for two hours. It also sounds like Centineo and director Jalmari Helander understand an important distinction between First Blood and the increasingly over-the-top sequels. Rambo: First Blood Part II and Rambo III pushed the character much further into action-movie superhero territory. They’re entertaining movies and an essential part of Rambo’s pop-culture legacy, but much of the vulnerability that defined the original was pushed aside in favor of bigger missions and bigger firepower. Going back to that vulnerability could give John Rambo some real weight. We already know where this character ends up. The interesting part is discovering what happened to him along the way and watching the experiences that transformed a young soldier into the deeply traumatized veteran wandering into Hope years later. That doesn’t mean the movie needs to skimp on the action. This is still Rambo, and Helander certainly knows his way around brutal action filmmaking. But if the carnage actually means something to the character, it’ll hit a hell of a lot harder. John Rambo is set to open in theaters on June 4, 2027.