Teenage Sex and Death at Camp Miasma backdrop
Teenage Sex and Death at Camp Miasma poster
Comedy
Horror
Romance
Blood. Lust.

Teenage Sex and Death at Camp Miasma (2026)

Runtime: 112 min
Release date: 06/08/2026
Production countries: United Kingdom, United States of America
Production companies: MUBI, Plan B Entertainment
Overview
After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.
Jane Schoenbrun profile photo
Jane Schoenbrun
Director
Cast
Hannah Einbinder profile photo
Hannah Einbinder
as Kris
Gillian Anderson profile photo
Gillian Anderson
as Billy
Amanda Fix profile photo
Amanda Fix
as Young Billy
Arthur Conti profile photo
Arthur Conti
as Alex
Eva Victor profile photo
Eva Victor
as DJ Ella Giastic
All trailers
At 96% on Rotten Tomatoes, CAMP MIASMA is the best reviewed horror film of the year.
Comedy
Horror
Romance

Teenage Sex and Death at Camp Miasma

At 96% on Rotten Tomatoes, CAMP MIASMA is the best reviewed horror film of the year.

Video: YouTube
Duration: 00:22
Fall into a world of desire and delirium.
Comedy
Horror
Romance

Teenage Sex and Death at Camp Miasma

Fall into a world of desire and delirium.

Video: YouTube
Duration: 00:15
Kiss your inhibitions goodbye.
Comedy
Horror
Romance

Teenage Sex and Death at Camp Miasma

Kiss your inhibitions goodbye.

Video: YouTube
Duration: 00:30
Hannah Einbinder is Kris
Comedy
Horror
Romance

Teenage Sex and Death at Camp Miasma

Hannah Einbinder is Kris

Video: YouTube
Duration: 00:21
There’s a hole at the bottom of the lake, and it’s open wide.
Comedy
Horror
Romance

Teenage Sex and Death at Camp Miasma

There’s a hole at the bottom of the lake, and it’s open wide.

Video: YouTube
Duration: 00:17
Gillian Anderson is Billy Presley.
Comedy
Horror
Romance

Teenage Sex and Death at Camp Miasma

Gillian Anderson is Billy Presley.

Video: YouTube
Duration: 00:17
Official Vertical Trailer
Comedy
Horror
Romance

Teenage Sex and Death at Camp Miasma

Official Vertical Trailer

Video: YouTube
Duration: 02:06
Official Trailer
Comedy
Horror
Romance

Teenage Sex and Death at Camp Miasma

Official Trailer

Video: YouTube
Duration: 02:11
Official Vertical Teaser
Comedy
Horror
Romance

Teenage Sex and Death at Camp Miasma

Official Vertical Teaser

Video: YouTube
Duration: 01:22
Official Teaser
Comedy
Horror
Romance

Teenage Sex and Death at Camp Miasma

Official Teaser

Video: YouTube
Duration: 01:27
A new kind of horror remake from Jane Schoenbrun.
Comedy
Horror
Romance

Teenage Sex and Death at Camp Miasma

A new kind of horror remake from Jane Schoenbrun.

Video: YouTube
Duration: 00:32
Reviews
Author: Geronimo1967
"Kris" (Hannah Einbinder) has managed to convince some investors to consider funding her attempt to resurrect a dated horror fanchise set at a remote holiday camp. To that end, she has tracked down the woman who was the original damsel in distress in the series's very first outing decades ago."Billy" (Gillian Anderson) has been fairly reclusive ever since that first success, and has retreated to live at the very camp in which the films were based. Now in the depths of winter,"Kris" braves the snowy conditions to pay her a visit - and her arrival at the eerily silent camp sets in train quite an emotionally and psychologically charged few hours with her enigmatic hostess. I think my problem with this stemmed from the decision of auteur Jane Schoenbrun to put her own experiences front and centre here and rather leave the mysterious substance of the plot to play second fiddle to that. Clearly, this is a film-maker who has had their fair share of struggles to get her often quite eclectically structured (i.e. last year's"I Saw the TV Glow") films funded and made, and so coupled with a sexual fluidity that neither Einbinder nor the underused Anderson are afraid to commit to, this became more of a commentary of a character with whom I couldn't really engage set against an half-baked critique of the repetitious slasher-genre upon which this tries to make it's money. The threads do come together a little more completely towards the conclusion, but I think by exploiting so many of the clichés and photographic tecnhiques of films like"Halloween";"Friday the 13th" or even the more recent"Black Phone" sequel, and presenting a paucity of meaningful dialogue, this sort of falls into it's own trap of introspective mediocrity rather than"elevating" itself from the more generic quag."Kris" (Hannah Einbinder) has managed to convince some investors to consider funding her attempt to resurrect a dated horror fanchise set at a remote holiday camp. To that end, she has tracked down the woman who was the original damsel in distress in the series's very first outing decades ago."Billy" (Gillian Anderson) has been fairly reclusive ever since that first success, and has retreated to live at the very camp in which the films were based. Now in the depths of winter,"Kris" braves the snowy conditions to pay her a visit - and her arrival at the eerily silent camp sets in train quite an emotionally and psychologically charged few hours with her enigmatic hostess. I think my problem with this stemmed from the decision of auteur Jane Schoenbrun to put her own experiences front and
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