We Bury the Dead backdrop
We Bury the Dead poster
Horror
Thriller
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We Bury the Dead (2026)

Runtime: 95 min
Release date: 01/01/2026
Production countries: Australia, United States of America
Production companies: Campfire Studios, Gramercy Park Media, Lotterywest, ScreenWest, Screen Australia, The Penguin Empire
Overview
After a catastrophic military disaster, the dead don't just rise—they hunt. The military insists they are harmless and slow-moving, offering hope to grieving families. But when Ava enters a quarantine zone searching for her missing husband, she uncovers the horrifying truth: the undead are growing more violent, more relentless, and more dangerous with every passing hour.
Zak Hilditch profile photo
Zak Hilditch
Director
Cast
Daisy Ridley profile photo
Daisy Ridley
as Ava
Brenton Thwaites profile photo
Brenton Thwaites
as Clay
Mark Coles Smith profile photo
Mark Coles Smith
as Riley
Matt Whelan profile photo
Matt Whelan
as Mitch
Chloe Hurst profile photo
Chloe Hurst
as Katie Harris
All trailers
Horror
Thriller

We Bury the Dead

We Bury the Dead | 2025 | @SignatureUK Trailer | Daisy Ridley Zombie Horror Thriller

Video: YouTube
Duration: 01:59
Horror
Thriller

We Bury the Dead

Official Trailer

Video: YouTube
Duration: 01:59
Horror
Thriller

We Bury the Dead

Official Teaser

Video: YouTube
Duration: 01:26
Reviews
Author: msbreviews
Full review: https://movieswetextedabout.com/we-bury-the-dead-movie-review-daisy-ridley-delivers-a-masterclass-in-stoic-despair/ Rating: B-"We Bury The Dead ends up being a positive experience, where technical excellence and a sweeping central performance try to compensate for a script that loses its breath and coherence in the home stretch. Although it doesn't manage to keep the promise of its unique premise until the end, falling into conventions it sought to avoid, Zak Hilditch's film offers enough to deserve attention, especially for the way it treats horror as an extension of human pain. It's a visceral reminder that the true battle isn't against the monsters walking out there, but against the memories that refuse to let us go, proving that sometimes the only way to survive grief is to finally look it in the eye."Full review: https://movieswetextedabout.com/we-bury-the-dead-movie-review-daisy-ridley-delivers-a-masterclass-in-stoic-despair/ Rating: B-"We Bury The Dead ends up being a positive experience, where technical excellence and a sweeping central performance try to compensate for a script that loses its breath and coherence in the home stretch. Although it doesn't manage to keep the promise of its unique premise until the end, falling into conventions it sought to avoid, Zak Hilditch's film offers enough to deserve attention, especially for the way it treats horror as an extension of human pain. It's a visceral reminder that the true battle isn't against the monsters walking out there, but against the memories that refuse to let us go, proving that sometimes the only way to survive
Author: MovieGuys
"We Bury The Dead" is truly compelling for the first half of the film but then loses its momentum. As the film begins, it crosses a spectrum of emotions from chilling, horrific to ultimately tragic. What's really disturbing about this film is that it's wholly believable, too. It's so well done. We get scenes of apocalyptic destruction in Tasmania, Australia. We see people emotionally broken and seeking answers as a result of the death of loved ones. Many come to help in the massive cleanup operation in the hope they can say"goodbye". You see a woman crying at the side of her dead son, while Australian soldiers look on and awkwardly try to console her. It's heart-wrenching stuff. Worse still, some people come back from the dead as zombie-like things who grow ever more violent the longer they are left in a reanimated state. Then we have the main character trying to find her husband, who was on a business trip to Tasmania. Her relationship with him, which is slowly revealed as the story unfolds, is complex, fraught and messy. In other words, wholly human. She is there to say goodbye not just to him but what her life with him represented. Backing all of this is excellent cinematography with images of Tasmania's natural beauty juxtaposed with scenes of universal death and destruction. Tasmania has become a beautiful graveyard. I was utterly drawn in by the first half of this film, which is why I was sorry to see it lose its impetus and coherence in the latter half. There are too many asides which don't add meaningfully to the story nor see it come to the heartfelt ending it deserves. In summary, this could have been an Australian great. The first half is so memorable, but sadly it fades to insignificance in the latter part of the film, depriving it of its impact. That said, I still recommend"We Bury The Dead" for the absolute cinematic gold the first portion of this film represents."We Bury The Dead" is truly compelling for the first half of the film but then loses its momentum. As the film begins, it crosses a spectrum of emotions from chilling, horrific to ultimately tragic. What's really disturbing about this film is that it's wholly believable, too. It's so well done. We get scenes of apocalyptic destruction in Tasmania, Australia. We see people emotionally broken and seeking answers as a result of the death of loved ones. Many come to help in the massive cleanup operation in the hope they can say"goodbye". You see a woman crying at the side of her dead son, while Australian soldiers look on and awkwardly try to console her. It's heart-wrenching stuff. Worse still, some people come back from the dead as zombie-like things who grow ever more violent the longer
News
‘Iron Lung’ Beats ‘Send Help’ With 1.9M Admissions; ‘Stray Kids’ Cool $900K Previews; ‘Solo Mio’ Sings $744K, ‘Dracula’ & ‘Strangers Chapter 3’ Tie Thursday – Box Office
Source: https://deadline.com

‘Iron Lung’ Beats ‘Send Help’ With 1.9M Admissions; ‘Stray Kids’ Cool $900K Previews; ‘Solo Mio’ Sings $744K, ‘Dracula’ & ‘Strangers Chapter 3’ Tie Thursday – Box Office

EXCLUSIVE: It’s been an interesting war between David and Goliath with Markiplier’s indie feature videogame adaptation Iron Lung winning the weekend and the week in admissions per EntTelligence against big Disney 20th Century Studio’s Sam Raimi, Send Help. Send Help may have won the weekend at the box office with $19.1M and the week at [...]